Troxler, Marion. “Tidal Retreat” in In Defence of Open-Ended Retreats in the Interdisciplinary Fields: A Compendium Demonstration by ECRs, eds. Erdosi, Eszter, Felix Clarke, Ellie Ballantine and Matthew Lear (submitted). 

í Jákupsstovu, Guðrun. “Allegory of an Anthropocene Epic”. Nordeuropaforum, special issue. Ed. Katie Ritson & Frederike Felcht (2024): 190-206. https://doi.org/10.18452/30842

Kluwick, Ursula. “A Sanitary Sense of Smell: Olfaction and Bodily Boundaries in Victorian Writing.” Literature and the Senses. Oxford Twenty-First Century Approaches to Literature. Ed. Annette Kern-Stähler and Elizabeth Robertson. Oxford: Oxford University Press, 2023.

Kluwick, Ursula. “The Mobility of Water: Aquatic Transformation and Disease in Victorian Literature.” Medicine and Mobility in Nineteenth-Century British Literature, History, and Culture. Ed. Sandra Dinter and Sarah Schäfer-Althaus. Basingstoke: Palgrave, 2023, pp. 145-164.

Richter, Virginia. “Salt Taste of the Sea: The Multisensorial Beach in Kate Chopin’s The Awakening and Charles Simmons’s Salt Water”, Literature and the Senses. Oxford Twenty-First Century Approaches to Literature, ed. Annette Kern-Stähler and Elizabeth Robertson. Oxford: Oxford University Press, 2023.

Troxler, Marion. “Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney.” Litteraria Pragensia: Studies in Literature and Culture 33.66 (2023): 87-103. https://doi.org/10.14712/2571452X.2023.66.6.

De Waal, Ariane and Ursula Kluwick. 2022. “Victorian Materialisms: Approaching Nineteenth-Century Matter.” European Journal of English Studies 26.1 (March 2022), pp. 1-13. DOI: https://doi.org/10.1080/13825577.2022.2044143.

Richter, Virginia. “A Grave for Fish: The Haunted Shore in Wyl Menmuir’s The Many.” Gothic Nature 3 (2022), 93-116. https://boris.unibe.ch/id/eprint/172248

Gurr, Jens Martin and Ursula Kluwick. 2021. “Literature and …? Perspectives on Interdisciplinarity: Introduction.” Literature and …: Interdisciplinary Explorations. Anglistik 32.3 (Winter 2021), pp. 5-18. DOI: https://doi.org/10.33675/ANGL/2021/3/4.

Richter, Virginia. “Seaside Resort Blues: The English Seaside in the 1930s”, Hungarian Journal of English and American Studies (HJEAS) 27.1 (Spring 2021), 33-48. https://doi.org/10.30608/HJEAS/2021/27/1/4.

Kluwick, Ursula. 2020. “The Global Deluge: Floods, Diluvian Imagery, and Aquatic Language in Amitav Ghosh’s The Hungry Tide and Gun Island.” Green Letters 24:1 (2020), 64- 78. https://doi.org/10.1080/14688417.2020.1752516.

Kluwick, Ursula. 2020. “The Aesthetics of Bodies in Translation: From The Water-Babies to Real Humans.” Medial Bodies. Ed. Denisa Butnaru. Bielefeld: Transcript, pp. 85-103. https://doi.org/10.14361/9783839447291-005.

Kluwick, Ursula and Virginia Richter. 2020. “Of Tourists and Refugees: The Global Beach in the Twenty-First Century.” Heterotopia and Globalisation in the Twenty-First Century. Ed. Simon Ferdinand, Irina Souch, and Daan Wesselman. London: Routledge, pp. 116-130. https://doi.org/10.4324/9780429290732.

Richter, Virginia. “‘The whole China Sea had climbed on the bridge’: Oceanic Agency in Joseph Conrad’s Typhoon”. The Conradian 45.1 (Spring 2020): 21-37. https://boris.unibe.ch/134720/.

Richter, Virginia. “Stranded. The Beach as Ultimate Destination in Joseph Conrad’s ‘Amy Foster’ and Thomas Mann’s ‘Death in Venice’”. Narrating and Constructing the Beach. Ed. Carina Breidenbach, Tamara Fröhler et al. Berlin: De Gruyter, 2020, 57-81. https://doi.org/10.1515/9783110672244-003.